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PR (1): "Based on that I think we don't provide further information."Īt this point one of the officials attempted to recall two of the emails they later apologized for the "inadvertent emails" while fully denying the request for information.He's angry that we're covering up some of the murals in POs. PR (2): "He is the guy who recently filed two foias for the murals.
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#Clarks auriel till how to#
With that in mind, discussions are being held on how to properly handle and safeguard the future of those pieces. While it is the policy of the Postal Service to preserve and protect the historic artwork in its collection for future generations, we are mindful that certain murals generate strong feelings for some of our employees and customers. And we encourage contributions of people from different backgrounds, experiences, and perspectives, including those of our employees and members of the communities we serve. The Postal Service respects and embraces the uniqueness and diversity of every individual. Traditionally, Post Office lobbies were community gathering spots, frequently visited by community members from all walks of life, making those locations particularly accessible display sites. Internally this blanket response is known as the holding statement, which reads as follows: In past decades, artwork has been placed in Post Office lobbies for permanent public display. Requests to USPS for information are funneled through communications "field managers" for inquiries from "the Postmasters and media," and Government Relations (GR) officials "for any congressional inquiries they may get." The response is exactly the same. Anecdotal evidence suggests that many know little, if anything, about the situation. Postmasters and employees at post offices have been instructed not to respond to requests for comment regarding the murals. Roosevelt, whose New Deal programs commissioned each of the murals. One of the post offices, in New York's Hudson Valley, was uniquely designed to the specifications of President Franklin D. Several of the post offices are listed on the National Register of Historic Places. Impacted post offices serve locations ranging from small cities in Illinois and Florida to the suburbs of Boston and Baltimore, as well as multiple locations in the Deep South. Before and after (covered): Photographs of the 1940 mural, "Cotton≿rom Field to Mill," at the Jackson, Georgia post office, taken Jan. The coordinated effort is without modern precedent, and the Postal Service has repeatedly declined to explain its actions in response to inquiries from local news reporters and even members of Congress. Recent photographs from four of these locations show tarp-like plastic sheets, resembling heavy-duty garbage bags, covering the entirety of their respective murals to render them unviewable. USPS is considering the murals' outright removal, and it is unclear whether this initiative will expand to include historic artwork at additional locations. Internal emails obtained via the Freedom of Information Act reveal that an "artwork workgroup” of high-level United States Postal Service (USPS) officials, including attorneys and USPS's Federal Preservation Officer, has directed facilities and maintenance personnel to cover up 80-year-old murals housed at 16 post offices spanning 12 states.